Now I know this view might draw some fire from those who loved it unreservedly but I cannot excuse nor applaud some of the elements within it even though it was one of the better examples of this this genre of film (which perhaps also indicates how awful much of it is). Here's some of the current struggles:
There were some valid sections but the sharp apologetic was in stark contrast to some of the poor dialogue and the film might have been greatly improved by a pair of electronic scissors! Why they had to include the Islamic convert sub plot I have no idea - as an apologetic it was already sorted - this was tacky and unwarranted (and yes I know it goes on - but if the issue is to be raised, do it in coherent and contextually secure manner for Pete's sake).
The end was simply amazing (and not, I'm afraid, in a good way) but at least it cut the bluebirds singing and the Rebecca of Sunnybrook farm conclusion that I feared was becoming inevitable. Mind you complex medical diagnosis at a glance and a street death conversion of epic length and amazingly extensive dialogue (did it really take an hour or was that merely my perception?) all conspired to cloud over, and out, the positives and leave me with an unwieldy and unpalatable scene that provided if the the final, then it was the penultimate, nail in the coffin.
But I loved the apologetics, the analogy of sin as a cell was outstanding and the call to not only 'give an answer to all who ask' but to stand up for our faith regardless of the opposition - but especially when it comes from within.
Waiting for the DVD now so I can cut out the dross and celebrate the good (it's called gleaning - something it seems that many Christians seem to have lost) - Happy Friday
